All You Need to Know About the Hanging Pillar of Lepakshi



India is loaded up with stunning, resplendently enriched sanctuaries, and the Veerabhadra Temple in Lepakshi (regularly known as the Lepakshi Temple) is no special case. Underlying the sixteenth century, the sanctuary stays in great condition and keeps on being both a position of profound and touristic significance. It additionally holds a resplendently cut column that appears to remain without contacting the floor.

Historical Significance

Supposed to be worked around 1530 by Virupanna Nayaka and Viranna, two siblings who stood firm on authority footings during the rule of King Achyutaraya, the site was worked as a journey objective to revere master Shiva, one of the extraordinary divinities in Hinduism. The fundamental sanctuary is made of three areas: get-together corridor, risk chamber, and internal sanctum. At the passage to the sanctum sanctorum, models and canvases cover essentially every surface. These show-stoppers include divine creatures, admirers, and symbols of Shiva.

Architecture and Style

One of these improved columns is the popular Hanging Pillar of Lepakshi Temple, a monstrous square of stone that doesn't seem to contact the floor. This hanging or "gliding" column is supposed to be a wonder, and the individuals who can get a flimsy item to pass under it will be offered with best of luck. Guests can frequently be seen passing scarves under the hanging pillar.

The wonderful sixteenth-century Veerabhadra sanctuary, otherwise called Lepakshi sanctuary, is situated in the little chronicled town of Lepakshi in the Anantapur District of Andhra Pradesh, India, around 15 km east of Hindupur and roughly 120 km north of Bangalore.

Underlying the average style of Vijayanagara engineering, the sanctuary highlights numerous impeccable models of god, goddesses, artists and artists, and many canvases everywhere on the dividers, segments and roof portraying stories from the legends of the Mahabharata, the Ramayana, and the Puranas.

This incorporates a 24 feet by 14 feet fresco of Veerabhadra, the searing god made by Shiva, on the roof, which is the biggest fresco of any single figure in India. At the front of the sanctuary is an enormous Nandi (bull), the mount of Shiva, which is cut from a solitary square of stone, and is supposed to be one of the biggest of its sort on the planet.

Veerabhadra sanctuary is celebrated for another designing miracle. Among the 70 stone columns, there is one that dangles from the roof. The foundation of the column scarcely contacts the ground and is feasible to pass items like a slight piece of paper or a piece of fabric from one side to the next. It is said that the column is a piece unstuck from its unique position when a British designer attempted to move it in an ineffective endeavor to uncover the mystery of its help.

Veerabhadra sanctuary was worked by the siblings Viranna and Virupanna, who were Governors under the Vijayanagar Empire during the rule of King Achyutaraya.

The town Lepakshi holds a critical spot in the incomparable Indian epic Ramayana. Rumours from far and wide suggest that the bird Jatayu, injured by the ruler of Lanka, Ravana, fell here after a worthless fight against the lord who was diverting Sita, the spouse of Rama, the lord of Ayodhya. At the point when Rama arrived at the spot, he saw the bird and said sympathetically to him, "Le Pakshi" — signifying "Emerge, bird" in Telugu.

About the Temple

Lepakshi is a socially, verifiably and archaeologically huge town in Andhra Pradesh. The town in the Anantapur District is an area of different sanctuaries committed to Lord Shiva, Vishnu, and Veerabhadra which were worked during the ruler Vijayanagara's period (1336–1646). Lepakshi is one the best places to visit from Bangalore city. It is found roughly 120 km north of Bangalore.

The town is likewise viewed as where Jatayu tumbled down after being harmed by Ravana. Jatayu is a legendary bird in the Indian epic Ramayana who attempted to save Sita when Ravana was stealing her.

Notwithstanding being old Jatayu battled boldly with Ravana yet couldn't stop him and fell on the earth while battling. Ruler Rama and Lakshmana discovered harmed and biting the dust Jatayu as they continued looking for Sita, Jatayu advises them regarding the battle between him and Ravana and discloses to them that Ravana had gone towards South.

Ruler Rama at that point played out the last customs of Jatayu with full honour. Remarkable Mettu is where the last customs were performed. The Veerabhadra sanctuary of Lepakshi was worked by the Viranna and Virupanna siblings. It is a superb illustration of the Vijayanagara design style.

The sanctuary is exceptionally mainstream and has been devoted to Veerabhadra. There are different focal points in the sanctuary which incorporate Durga Paadam, a stone chain, Vastu Purusha, the eyes of Viroopaakshanna, the Padmini race woman, the hanging column, and Lepakshi saree plans. The hanging column is the most renowned of these attractions.

The external part of the sanctuary has an enormous Dance Hall with 70 stone columns supporting the rooftop. One corner column is the renowned 'hanging column' that doesn't contact the sanctuary floor at all and there is a little hole between the sanctuary floor and base of the column which gives the impression of the hanging column. The foundation of the column scarcely contacts the ground and it is feasible to pass flimsy items like a piece of paper or a piece of material from one side to the next.

The Legend

There is an anecdote about it. During pre-freedom time, a British designer who needed to realize how the sanctuary was upheld by the columns, attempted to move one of the columns and it caused the development of upwards of 10 columns around to keep up the equilibrium. The sanctuary, just as the columns in the sanctuary, was intended to oppose seismic tremors.

In another story, the British Government chose to do a few fixes and endeavoured to eliminate the column. In any case, they couldn't because it was fixed so impeccably, they could just eliminate it. They understood that eliminating this column is unimaginable, so they left it in this odd position. There is a stream and a major stone with goliath impressions on it, just next to the sanctuary.

The hanging pillar is a piece unstuck from its unique position. A British specialist attempted to move it in a fruitless endeavour to reveal the mystery of its help and this is the purpose for this shift. There is a monster Ganesha sculpture in the sanctuary's external fenced area. I was astounded to witness a monstrous Nagalinga with three loops and seven hoods here which most likely is the biggest one in my country.

Four Fascinating Secrets

The name of the hanging column is the Aakasa Sthambha. The columns and dividers of the sanctuary have pictures of a heavenly element, artists, holy people, artists, and 14 symbols of Shiva. You will discover three separate Mandapas in the Lepakshi Temple. The first is Mukhya Mandapa (or Natya or Ranga Mandapa), Artha Mandapa and Garva Griha include the subsequent one and the third one is Kalyana Mandapa. The last Mandapa is incomplete.

The sanctuary is based on a low, rough slope called Kurmasailam — which implies turtle slope in Telugu. The state of the slope takes after a turtle. Aficionados love Shiva in the brutal state of mind named Veerabhadra. Veerbhadra was revered during battles in antiquated and archaic periods as the hero-god.

The Lepakshi sanctuary has the best examples of painting canvases of the Vijayanagar kings. Fresco of Veerabhadra on the roof before the waiting room is the biggest in India of any single figure. The locations of Rama and Krishna from renowned sagas Ramayana, Mahabharata and the Puranas are the principal subjects of the artistic creations of the internal lobby and the fresco method with splendid shadings are utilized to do the fine art.

A frieze portraying a group of geese with lotus stalks in their bills is just wonderful. The whole sanctuary is embellished with immaculate carvings and every one of them are finished with mind-boggling subtleties.

A mix of vegetable and mineral tones makes the dividers of the Lepakshi sanctuary remarkable and dynamic. The statuettes of goddesses Yamuna and Ganga in the passageway entryway are radiant. Embellishments as carvings of officers and ponies on the outside sections made me confused.

Here, you can see Lord Brahma playing the drums, magnificent lady Rambha performing dance and Lord Shiva occupied with 'Ananda Tandava'. The carvings of moving fairies around it hypnotized me. The picture of Parvati encompassed by the female orderlies enhances the southwest corridor.

Abhishek to Lord and Mother is done and enthusiasts offer garments during puja. Sweet pudding called Sakkarai Pongal Nivedhana is additionally a custom here. Safari f the lotus feet of the Lord Vishnu is offered to lovers. The prasad in the sanctuary is the creepy crawly leaf.

Conclusion
So, pack your bags and come visit Andhra. Experience the wonder of the Hanging Pillar at Lepakshi!



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